民国时期书籍装帧艺术研究及其当代意义

A Research on Book Binding Art in the Republic of China and Its Contemporary Significance

民国时期是我国书籍装帧艺术从传统走向现代的一个历史性转折点,为后期我国书籍装帧艺术走向成熟奠定了深厚的理论基础。民国装帧艺术研究存在两点问题:一是问题研究的雷同化,缺乏新的观点,二是研究的碎片化,缺乏延续性和纵深性。因此,相关研究学者要进一步拓展研究的深度以及广度,及时转变研究思维,将我国的书籍装帧艺术研究提升到更高的层次。

The Period of Republic of China was a historic turning point of the book binding art from traditional to modern, which has laid a profound theoretical foundation for the later maturity of book binding art in China. There are two problems in the researches of the binding art of the Republic of China: the first is that the researches are similar and lack of new ideas;the second is that the researches are fragmentary and lack of continuity and depth. Therefore, relevant scholars should further expand the depth and the breadth of the research, change the research thinking in time, and promote the research of book binding art to a higher level.