西北少数民族民间艺术的地域性对接探究

Regional Connection of Folk Art of Northwest Minorities

西北地区是少数民族聚居区较为集中的地方,多民族聚居对西北地区民族民间艺术的发展奠定了坚实的人文基础。加之丝路文化的地域性洗礼使得西北少数民族民间艺术的文化延伸与宗教碰撞成为点缀民族民间艺术的精髓。然而以共同区域文化认同与思维培养的精神构建成为冲破民族艺术地域性限制,实现区域民族民间艺术的地域性对接。探究西北少数民族民间艺术的地域性对接就是在整合西北民族民间艺术的同时,透析民族民间艺术的人文缔结,从而归纳出西北少数民族民间艺术地域性对接的外在表现和内在原因,为进一步繁荣丝路民族艺术文化提供有益参考。

Northwest China is a concentrated place where ethnic minorities live in concentrated areas, and multi-ethnic settlement has laid a solid humanistic foundation for the development of ethnic and folk arts in Northwest china. In addition,the regional baptism of the Silk Road culture makes the cultural extension and religious collision of the folk art of Northwest Minorities become the essence of embellishment of folk art. However, the spirit of common regional cultural identity and thinking training has become a regional breakthrough to break through regional restrictions of national art and realize regional docking of regional folk art. To explore the regional docking northwest minority folk art is in the integration of northwest folk art and folk art, concluded dialysis humanity, thus summed up the northwest minority folk art regional docking of the external and internal reasons, for the further prosperity of Silk Road Art and culture provide a useful reference.