论戏曲受众接受心理研究的实践意义

A Discussion on the Practical Significance of Chinese Opera Audience Receptive Psychology

戏曲生产的接受者,是剧目创作最终的完成者、传播者,也是戏曲创作、剧目价值实现过程中的重要环节。自戏曲以成熟的形态出现之时,戏曲家就开始关注并重视观众的作用。在具体分析当代戏曲观众进剧场的行为和接受心理的特性的基础上,可提出如何在戏曲创作过程中站在观众的角度进行创作赢得票房和市场的问题,并由此来进一步论证戏曲受众接受心理研究对于戏曲创作的重要作用。

The audience of the opera is not only the final completer and disseminator of opera creation, but also an important link in the process of opera creation and opera value realization. Since the emergence of opera as a mature form, there have been dramatists who pay attention to the role of the audience. The paper analyses the behavior and psychological characteristics of the contemporary opera audience entering the theatre, and puts forward how to win box office and market in the process of opera creation from the perspective of the audience, in order to further demonstrate the important role of psychological research of opera audience in opera creation.