“间距”/“之间”的能量——兼论中国古典美学之于朱利安的启示

The Energies of “Spacing”“/Between”——On the Enlightenment of Chinese Classical Aesthetics to Jullien

朱利安的"间距"/"之间"植根于法国解构思潮,它是当时法国哲学家共同关注的理论问题。"间距"如何在精彩纷呈的法国理论中脱颖而出?这得益于中国古典美学的启发,异质思想的催化使"间距"点石成金般地获得了全新的理论意义"。间距"意味着拉开一段距离,在"未思之处"发现"他者",反观自身"。间距"的能量为何?它可以破:破二元对立、本质主义、形而上学等一切僵化固定的思维模式。它更可以立:可以"游刃有余"(通畅)"、迂回进入"(自由)"、气韵生动"(生成)。中国古典文化经朱利安的调剂加工,成为批判西方思维的理论资源,同时,中国古典美学也因此被重新照亮和发现。

Jullien’s "spacing"/"between"is rooted in the French deconstruction trend of thought,which is the common concern of French philosophers at that time.How does"spacing"stand out among the various French theories?This benefits from the inspiration of Chinese classical aesthetics.The catalysis of heterogeneous thoughts makes the"distance"like a touch of gold gain a new theoretical significance."Spacing"means keeping a distance,finding the"other"in the"unexpected"and reflect yourself.What is the energy of"spacing"?It can break something like binary opposition,essentialism,metaphysics and all rigid fixed thinking mode.What’s more,it can also stand and it can be"flexible"(unobstructed),"roundabout access"(free),"vivid"(generated).Chinese classical culture modified by Jullien becomes the theoretical resource of critical western thinking.Meanwhile,Chinese classical aesthetics is re-illuminated and discovered.