摘要
丹麦画家迈克尔·安切尔是19世纪末至20世纪初丹麦乃至北欧卓有声誉的艺术家,他效仿巴比松画派定居于偏僻的渔村并着力描绘当地的渔民生活,表现了真实的渔民生活以及充溢在人性中的崇高。安切尔作为“斯卡恩画派”的一员,他在这个群体中的特殊之处在于,他始终坚持学院艺术中对具有“永恒”与“崇高”的绘画品格的追求——他以此为根本.以现实主义与自然主义相结合的绘画理念,结合了法国印象派对色彩的运用,创作了一幅幅具有现代主义意味的人物画。从而确保了他在丹麦艺术史上的显著位置。
Danish artist Michael Ancher was rcnowncd in Dcnmark and even norchern Europe in the end of the 19th century and the beginning of the 20th cencury. He followed the example of Barbizon school and settled down in the remote fishing villages to describe the real life of the local fishermen and the nobility of the human nature. As a member of the Skagen School, he is special for he was always pursuing the "eternicy" and "sublimiry" of the painiing character in the academic art. Based on this, by combining the painting ideas of realism and naturalism with the color applications of French impressi on ism, he created many figure pain tings elegantly with modernism signified nee, which ensures his significant position in Danish art history.
出处
《美术》
CSSCI
北大核心
2019年第4期122-128,F0003,共8页
Art Magazine