从《摩罗诗力说》看鲁迅“战斗精神”的诗性塑造和裂解

The Fragmentation of Spirit for the Characters in Lu Xun's Early Fictions through an Analysis of the Archetypes in His On the Power of Mara Poetry

后期留日鲁迅追求的"精神界战士"形象,在《摩罗诗力说》得到了主体式的诗性表达。但在十余年后的《呐喊》《彷徨》中,那些反抗者却不再具备"战士"所具备的完整精神,而身陷各种各样的困境之中并最终失败。通过考察后期留日鲁迅在论文《摩罗诗力说》中所建立的诗性主体及其战斗精神的特征内涵,并与十余年后《呐喊》《彷徨》的反抗者形象进行对比,从精神气质的裂解和由裂解导致的异化分析反抗最终失败的原因,由此探寻鲁迅文艺思想在不同时期传承与转变的表现形式。

Lu Xun’s early papers written in Japan had constructed an image of a spiritual fighter, but the rebellious characters in his works created over ten years later were no longer fighters for they were stuck in predicaments and were ultimately defeated. Through studying the spiritual archetype in Lu Xun’s On the Power of Mara Poetry and comparing it with rebellious characters in his later works, this essay attempts to explain the changes of his later characters and reveals the change of Lu Xun’s artistic spirit.