摘要
赫拉普钦科是苏联科学院院士,一生坚守马克思主义文艺理论。赫拉普钦科对艺术形象理论的见解颇有新意:他质疑黑格尔的"一般与个别相统一"的观点,重新定义艺术形象,区分审美符号与艺术形象,分析西方现代审美符号理论的合理与不足。他的这些见解对发展促进马克思主义文艺理论、苏联文艺理论,甚至改革开放后的中国文艺理论都具有重要意义。
Herapchenko is a member of the Academy of Sciences of the Soviet Union,who has adhered to the Marxist theory of literature and art all his life.Herapchenko's views on the theory of artistic image are quite innovative:he questioned Hegel's view that“general and individual are unified”,redefined artistic image,distinguished aesthetic symbol from artistic image,and analyzed the rationality and shortcomings of modern western aesthetic symbol theory.His opinions are of great significance to the development and promotion of Marxist literary theory,Soviet Union literary theory,and even Chinese literary theory after the reform and opening up.
作者
何朝辉
HE Zhao-Hui(Hunan Normal University,Changsha 410006,China)
出处
《漯河职业技术学院学报》
2019年第1期53-56,共4页
Journal of Luohe Vocational Technical College
关键词
赫拉普钦科
艺术形象论
Herapchenko
the theory of artistic image