摇滚电影:1964年以来三部故事片的类型化编排

Rock‘n'Film: Generic Permutations in Three Feature Films since 1964

摇滚电影在其开端之处就包含了它在发展和成熟时期的主要元素:黑人音乐和白人音乐:虚构和纪录片;叙事和景观;从古典音乐剧中继承的双重焦点叙事和类似于民间活动的定位以及电视和电影的二元关系。这些特征在1964年拍摄的三部电影《拉斯维加斯》《艰难的一夜》《国际青年音乐秀》中通过多样化的调动组合得以重构,摇滚电影最终发展出了一套立足于自身的美学形式。

Ten features are contained in the beginning of rock‘n’roll musical, including black music and white music, fiction and documentary, narrative and spectacle, and rom the classic musical, the dual-focus narrative and the notion of the musical, performance as a celebration of a folk community positioned to conceal the actual alienation intrinsic to commodity cinema,and finally the binary relationship of television and cinema. These features are mobilized in the Viva Las Vega, A Hard Day’s Night and the T.A.M.I. Show, which helped rock‘n’roll film to develop its own aesthetic form.