摘要
以马奈为代表的印象派画家们,通过勾勒和描画形体的不确定性和永无止境的"瞬间性",还原了绘画的视觉性本质,进而彰显了一种别样而独特的真实观,即一种现象学意义上的"瞬间真实"。画家一方面摒弃了传统绘画中再现对象所依据的时空经验,另一方面痴迷于再现光影交织的瞬间景观,并将之提升为独特的审美经验。印象派绘画所凸显的这种知觉模式,源自现代社会行踪不定的现代观察者(漫游者)的切身体验,在他们眼中,事物的表象总是短暂易变的。在某种意义上,印象派绘画呈现了一种视觉现代性。
Impressionists such as Manet discovered the visual nature of painting by depicting the uncertainty and transience of forms, and hence advocated a unique view of reality, a phenomenological "transient truth". Impressionists gave up the time-space experience in traditional painting, focused on the transient landscape of light and shadow, and therefore gained a unique aesthetic experience. This pattern stemmed from the real life experience of modern observers/wanderers of the metropolis who pierce into appearances. In a way, impressionist paintings reveal a visual modernity.
出处
《文化艺术研究》
CSSCI
2019年第1期157-164,共8页
Studies in Culture and Art
基金
重庆市社会科学规划博士项目(项目编号:2018BS32)
重庆市教育委员会人文社会科学研究一般项目(项目编号:18SKGH023)的阶段性成果
