论郭沫若早期诗歌叙述的定型反复性

On the Design and Iteration of Guo Mo-ruo's Early Poetic Narration

郭沫若诗歌不仅以独特的抒情将初期白话新诗从粗糙的"以物观物"的模仿阶段推向了崇尚"情绪"的"以心观物"的创造阶段,而且在诗歌叙述上也形成了风格鲜明的定型反复性特征,彻底摆脱了"非诗化"倾向,在内容和形式上为中国新诗发展提供了全新的创作经验。他早期诗歌叙述的定型反复性主要表现为以第一人称"我"为主格的抒情叙述主体、以环形结构和叠句为主的叙述结构、以时间和空间相互融合的叙述时空以及承载诗歌情绪的意象。这种"异军突起"的诗歌叙述模式引领新诗叙述走上了新的里程,为此后诗歌叙述的发展奠定了基础。

Poems of Guo Mo-ruo not only changed the initial vernacular poetry from the rough imitation stage of observing things by objects to the creative stage of observing things by heart which advocates emotion with its unique lyricism, but also formed the unique designed and iterated characteristics in the poetry narration. Guo Moruo's poetic narration has completely got rid of the tendency of non-poeticization and provided new creative experience for the development of new poetry in content and form. The design and iteration of Guo Mo-ruo’s poetic narration are characterized by lyrical narration subject, narrative structure, time and space of narration as well as poetry image, trying to provide a new path and lay a foundation for poetic narration.