摘要
南戏《秦太师东窗事犯》最初产生于元代,在流传过程中,先是在明代初年,周礼将其改编为《岳飞东窗事犯》,突出了岳飞破虏尽忠报国的情节;后无名氏又据《岳飞破虏东窗记》改编成《精忠记》,增加了兀术差人送蜡书和疯和尚赠诗给秦桧的情节。昆曲折子戏《扫秦》实是元杂剧《东窗事犯》的第二折,《秦本》则是出于昆曲艺人的独创。
Nanxi Dong Chuan Shi Fan was initiated inYuan Dynasty. During the process of its dissemination ,Zhou Li , to highlight the patriotic story of GeneralKue Fei , has adapted it intoKue Fei Dong Chuan Shi Fan in the early Ming Dynasty. Later, through the addition of the story of wax letter by Wanyan Wuzhu , and the poem from a mad monk to Prime MinisterQYn Hui , Yue Fei Dong Chuan Shi Fan has been adapted intojing Zhong Ji by folk actors. Sao Qin , a Selected Scene (折子戏)from Kun Opera, is actually from the Second Scene oiYuan Zaju Dong Chuan Shi Fan , and the Selected Scene Qin Ben is the original creation of actors from Kun Opera.
作者
俞为民
YU Wei-min(College of Liberal Arts , Wenzhou University, Wenzhou Zhejiang, 325035)
出处
《艺术百家》
CSSCI
北大核心
2019年第1期80-85,91,共7页
Hundred Schools In Arts
基金
2013年度国家社科基金重大项目"南戏文献全编整理与研究"(项目编号:13&ZD114)
2014年度浙江省社科规划优势学科重大资助项目"南戏传播研究"(项目编号:14YSK06ZD)
2015年温州市社会科学重点研究基地课题"南戏<琵琶记>在地方戏中的流传与变异"(项目编号:15jd04)阶段性成果之一
