六朝小说对曹操“仁者岂乐”到“果於杀戮”形象的文化与文学改塑

Cultural and literary Reform of Cao Cao's “Melancholy” to “Slaughter” image in the Six Dynasties Novels

曹操有着本真的形象,却受到不同历史时期文化与文学的改塑,其中,六朝小说的书写是对曹操后世形象改变的关键一环。小说中以嗜杀为主要特征,并带有狡狯、多疑、酷虐与神怪化的形象是对"仁者岂乐"的忧郁者曹操本真形象的重大改塑,这种文化改塑的内因是魏晋自由书写精神和"子""史""小说"创作观念的不分。

Cao Cao has a true image, but it has been remodeled by the culture and literature in different historical periods. Among them, the writing of the Six Dynasties novels is the key to the change of his image.The image taking killing as the main body with cunning, skepticism, cruelty and freak is the major reconstruction of his true image, the melancholy of "the benevolent is not happy". The internal cause of this cultural transformation is the free writing spirit of the Wei and Jin Dynasties and no difference between the creative concept of "philosoph","history" and "fiction".