从共现到重复:从符号现象学论“电影影像生成性”

From Co-occurrence to Repetition:On Generativity of the Film Image from the Perspective of Semiotic Phenomenology

电影影像的表意依赖于影像的生成性,这种生成性使得影像永远处于生成过程中,影像的表意也永远处于未完成的状态。但是,影像的生成性不是影像自身具有的,而是依赖观众意识的意向性活动实现的。具体而言,意识分两步来实现影像的生成性:第一步是共现,即意识通过自身的先验统觉能力将呈现的观相整合为共现的观相,获得影像的最初意义;第二步是重复,即意识通过重复多次的获义活动,形成意义累加的效果,进而获得影像的完整意义。并且,电影影像的意义是我们沉浸于电影影像之中的感同身受,无法用语言来表达。

The signification of the film image depends on its generativity. As such, the film image constantly remains in the generation process, and its signification stays in a permanent and unfinished state. However, the generativity of the image depends not on the image itself but on the intentional activities of audience,s consciousness. More specifically,image generativity is generated by consciousness in two steps. The first step is co-occurrence, that is, consciousness integrates the represented aspect into co-occurrence aspects through its transcendental apperception and obtains the original meaning of the image. The second step is repetition, that is, consciousness forms the effect of meaning accumulation through repetitive meaningful activities. This provides the complete meaning of the film image. Moreover, empathic experience merely refers to the meaning o f film images we receive when we are directly immersed in them, which is an experience hard to express in words.