摘要
皮影戏的发展随着新中国社会、政治的变化而呈现出不同的态势。从整顿改造后的发展,到"文革"时期的销声,再到改革开放新时期的复归,贯穿着传统与现代、官方与民间的碰撞。新时代传统文化的复兴并非历史的简单重现,而是寻求传统与现代的融合,以建构支撑中国特色社会主义文化。
The development of shadow puppetry has shown different trends with the changes in social and political conditions in New China. From the development after the rectification and transformation, to the cancellation of voices in the period of “Cultural Revolution”, to the return on the new era of reform and opening up, through the collision between tradition and modern, official and folk. The revival of traditional culture in the new era is not a simple re-emergence of history, but a search for the integration of tradition and modernity, so as to construct and support the socialist culture with Chinese characteristics.
作者
李小东
LI Xiao-dong(College of Marxism, Yanshan University, Qinhuangdao,Hebei 066004, China)
出处
《河北广播电视大学学报》
2019年第2期96-98,共3页
Journal of Hebei Radio & TV University
基金
河北省社会科学基金青年项目<集体化时期河北电影进村研究>(HB17LS021)
关键词
改造与复归
传统文艺
皮影
昌黎
reform and restoration
traditional literature and art
shadow puppetry
Changli