一期一会——“见者的书信”展评

Review:Lettres du Voyant

约瑟夫·博伊斯是20世纪下半叶最具影响力的行为艺术家,他对艺术、政治以及社会构建具有远奥的想象力;白南准是全球最重要的视觉艺术家之一,亦是新媒体录像艺术与影像装置艺术的先驱和奠基者。约瑟夫·博伊斯和白南准,他们成长于欧亚大陆的两端,怀揣各自国家的文化基因和历史背景。20世纪60年代,二人在激浪派的艺术浪潮中相遇,带着同样具有革命性的理念,他们的友谊与合作亦成为一曲佳音。

Joseph Beuys was the most influential performance artist in the latter half of the 20 th century, who demonstrated profound imagination in arts, politics and social construct, while Nam June Paik, one of the most important visual artists in the world, was also a forerunner and founder of new media video art and a video installation artist. They grew up respectively in the two ends of the Eurasian continent, Europe and Asia, with their own cultural origins and historical backgrounds. In the 1960 s Fluxus brought them together. With revolutionary ideas on either part, they became good friends and began collaboration, leaving a touching story in history.