摘要
非物质文化遗产中蕴含着极为丰富的文化记忆,"非遗"归根结底保存和保护的是"技艺"与"记忆"。对非物质文化遗产的传承和保护,就是对一个民族或族群文化基因和文化记忆的传承和保护。凤翔木版年画从题材和色彩两个方面,呈现关中乃至中华民族的文化记忆。传统文化记忆的承传,伴随木版年画的兴衰,遇到过障碍,出现过断裂,但新年画的问世却以现代文化记忆的方式做了相应补充。"非遗"的价值在为人类所利用的过程当中实现,这个过程也是文化记忆传承的过程。
Extremely rich cultural memory is contained in intangible cultural heritage. Heritage protection, after all, means preservation of "crafts" and "memory," even further preservation of cultural origins and memory of a nation or an ethnic population. Fengxiang wood-block New Year paintings present the cultural memory of the central Shaanxi plain in terms of subjects and colors and, even those of the Chinese nation. With their decline they have suffered setbacks and interruption. However, the emergence of novel wood-block paintings has compensated for this trend in a cultural memory manner. The value of intangible cultural heritage is realized in the process of being employed by the mankind, and this process is also that of inheriting cultural memory.
出处
《天津美术学院学报》
2018年第2期101-105,共5页
Northern Art:Journal of Tianjin Academy of Fine Arts
基金
西藏民族大学"青年学人培育计划"资助项目"木版年画技艺传承与民族文化记忆研究"<项目号15MYQP03>阶段性成果之一
关键词
文化记忆
木版年画
传承
cultural memory
wood-block New Year painting
inheritance