摘要
《夜郎素女》和《城门》具有较强的女性意识,主要体现在女性角色较多;调适宏大主题,糅合女性婚恋、日常生活等,展示女性意识;具有浓郁的地域特色,并巧妙运用女性化语言和表达形式展示主题;建构了女性化的花儿意象等。二者的女性意识表现也有不同之处,如小说的结局、人物刻画的侧重点和语言风格。虽因种种缘故导致文本尚有缺陷和不足,但总体来说瑕不掩瑜,具有较高的艺术水准。
Yelang Su Nü andCity Gate embrace a sort of relatively strong female consciousness,which is mainly shown by shaping numerous female roles,adjusting grand themes,and combining the marriage of women with their daily lives.Impressively,they possess abundant regional features,exerting skillfully feminized words and expression forms to reveal themes and shape the flower images on female,etc.However,the very expres.sions of women consciousness existed in the two novels are diverse in certain aspects,such as the end of them,the emphasis on characters’portrayal and the style of writing.Defective and inadequate as the two novels are owe to some reasons,defects cannot belittle virtues,as is true with them.
作者
许兴阳
胡家琼
Xu Xingyang;Hu Jiaqiong(Liupanshui 553000,China)
出处
《六盘水师范学院学报》
2019年第2期26-31,共6页
Journal of Liupanshui Normal University
基金
2016年度六盘水师范学院重点学科建设项目"六盘水师范学院重点学科-中国语言文学"(LPSSYZDXK201601)阶段性成果
关键词
许雯丽
小说创作
女性意识
评论
Xu Wenli
the creation of novel
feminine consciousness
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