摘要
清代林乔荫的《西藏闻见录》是第一部反映西藏民俗风情的散曲集。作品共南北两套曲,却以大量加注的形式,扩大了散曲的内涵,反映出乾隆时期西藏社会生活的方方面面。散曲中大量藏语俗语的运用,使得散曲富有浓郁的地方色彩,也显示出一种奇异的风格,同时散曲中也流露出作者对故乡深深的思念。
Lin Qiaoyin’s Sketch Book of Tibet( Tibet Wen Jian Lu) in the Qing Dynasty was the first collection of Sanqu songs that reflected Tibetan folk customs. The work has two sets of songs from north to South,but they have expanded the connotation of Sanqu in the form of a large number of additions,reflecting all aspects of social life in Tibet during the Qianlong period. The use of a large number of Tibetan sayings in Sanqu makes Sanqu rich in local colors and shows a unique style. At the same time,Sanqu also reveals the author’s deep thoughts on his hometown.
作者
尹蓉
Yi Rong(The Humanities of Nanchang University,Nanchang,Jiangxi 330031,China)
出处
《西藏研究》
北大核心
2019年第1期129-134,共6页
Tibetan Studies
基金
国家重大社科基金项目"古本散曲集成"(项目编号:15ZDB074)阶段性成果
关键词
林乔荫
散曲
西藏闻见录
Lin Qiaoyin
Sanqu
Sketch Book of Tibet