中国画论的源起和发展

Origin and Development of Chinese Painting Theory

魏晋南北朝时期是艺术的自觉时代,受魏晋玄学以及政治、文化等因素的影响中国画论在这一时期正式确立。画论的产生把绘画一般性论述提高到独立的理论认识高度,这时期的画论如顾恺之的"传神论"、谢赫的"六法"、宗炳王微的山水画理论等等经典论著的提出,影响了后世绘画理论和创作的发展。文章通过对中国画论的源起与发展进行梳理,进一步阐述中国画论的画史地位与理论价值。

The Wei, Jin,Southern and Northern Dynasties are the era of artistic consciousness. Influenced by the metaphysics of Wei and Jin Dynasties,politics and culture,Chinese painting theory was formally established in this period. The emergence of painting theory raised the general exposition of painting to an independent level of theoretical understanding. The development of painting theory and creation in later generations was influenced by the proposition of classical works such as Gu Kaizhi's "theory of vividness";Sheikh's "six methods";Zong Bingwangwei's theory of landscape painting. This article will further elaborate the historical and theoretical value of Chinese painting theory by combing the origin and development of Chinese painting theory.