摘要
“毛目显”是刘勰对《文心雕龙》下篇的主旨的概括,是指对那些关涉文学创作的细目进行论述。但是长期以来,龙学界忽视了下篇的“毛目”属性,将其概括为“剖情析采”或者创作论、批评论、文学史论、文德论等等,有的甚至在此基础上调整《文心雕龙》的篇章结构。这些做法欠妥当。将“毛目”概括为“剖情析采”是建立在对“剖情析采”与“笼圈条贯”的误解之上的;将“毛目”概括为创作论、批评论、文学史论、文德论等,把“毛目”变成了“纲领”,是今人文学观的投射,也不符合刘勰的本意。
Let the " Maomu" definite is the subject of the next summary of the Liexie′ s " Wen xindiaolong",discusss the details of theliterary creation. But for a long time, scholars ignored the attribute of the " Maomu" of the " Wenxindiaolong", it summed up as " analyse theemotion and words" or the creation theory, criticism, literary history, the morality of the writer and so on, some even adjustthe structure of "Wenxindiaolong". These practices are not appropriate. The "Maomu" summed up as " analyse theemotion and words " is based on themisunderstanding of the " analyse theemotion and words " and" Longquantiaoguan";the "Maomu" summed up asthe creation theory, criticism, literary history, the morality of the writer and so on, is the projection of the present literature, also do not accord with Liu xie′s original intention.
作者
高宏洲
GAO Hong-zhou(People′s Literature Publishing House, Beijing 100705,China)
出处
《华北电力大学学报(社会科学版)》
2019年第2期108-114,共7页
Journal of North China Electric Power University(Social Sciences)
基金
中国博士后科学基金资助项目(2015M581033).
关键词
文心雕龙
纲领
毛目
方法论
" Wenxindiaolong"
programme
"Maomu"
methodology