走出后殖民:论黄碧云小说的非虚构转向

Out of Post-colonialism:On the Non-fictional Turn of Huang Biyun's Novels

后殖民写作曾经是香港中生代作家黄碧云惯常使用的创作视角,她以"为了温柔的暴烈"的抗议姿态为受双重宰制的殖民地香港女性发声。经过7年的沉潜,复出香港文坛步入理智之年的黄碧云出现明显的非虚构转向,以跟踪采访、实地调查、资料档案为基础,以介入性的写作姿态关注香港无声的底层,以及日益尖锐化的青年问题,创作长篇非虚构小说《烈佬传》与《卢麒之死》。借由非虚构文学的社会承担以及对香港本土价值的重新思考,黄碧云走出了后殖民写作,实践其"有重量的自由"之文学信仰。然而,由于文学纯粹性以及风格化的追求,黄碧云非虚构写作的介入意识及其小说的公共性也是有限度的。

Post - colonial writing was once the usual perspective of Hong Kong writer Huang Biyun. Shevoicedforthecolo-nial women in Hong Kong,who were under double domination,in a protest attitude of “for gentle violence”. After seven years of submergence, Huang Biyun, who has returned to the literary world of Hong Kong and entered the age of reason, has made an obvious non - fictional turn. Based on follow - up interviews, on - the - spot investigations and information archives, he pays attention to the silent bottom of Hong Kong and increasingly acute youth problems with an interventional writing attitude. He has created a long non - fictional novel, Biography of Lielao and Death of Lu Qi. Through the social commitment of nonfiction and the rethinking of Hong Kong's indigenous values, Huang Biyun has stepped out of her post -colonial writing and practiced her literary belief in "freedom with weight". However,due to the pursuit of literary purity and stylization, Huang Biyun's awareness of involvement in non - fictional writing and the publicity of his novels are also limited.