摘要
南宋之后,评论家公认女性作家的文学作品一定是写自己的事、抒自己的情。传统的自传体解读产生原因主要体现在两个方面:一是男性的主体思维的介入,伴随着阅读过程的偷窥心理;二是大众传播的影响。当摆脱自传体解读的传统思维时,作为纯粹作者的女性作家通过女性独特的视角和情感角度,借助高超的写作技巧创造的是属于她们自己的个性写作。在写作过程中,女性作家建构自身形象的同时,也遵照传统价值观表达自我意识。
Since the Southern Song Dynasty, it was unanimously recognized by the critics that female writers were assumed to write about their own emotions and life experiences in their literary works. Why were female works read in that way? There were two main reasons that might explain this reading phenomenon: men’s dominant position in writing and reading, which might lead to the voyeuristic reading pattern, and the impact of mass media. When they were unbound by the traditional way of thinking for the interpretation of autobiographical works, the female writers as pure readers created their own individual writings from unique female and emotional angles and by means of super writing technique. In the process of writing, the female writers created their own images and simultaneously expressed their own self-awareness according to the traditional values.
作者
梁雨婕
LIANG Yu-jie(Department of Chinese and History, City University of Hong Kong,Hong Kong 999077, China)
出处
《湖北职业技术学院学报》
2019年第1期68-73,共6页
Journal of Hubei Polytechnic Institute
关键词
女性创作
自传体解读
偷窥心理
大众传播
女性主义
women’s writing
interpretation of autobiographical works
voyeuristic reading pattern
mass media
feminism