摘要
科马克·麦卡锡的小说《路》充满着暴力和死亡。其简洁的语言和独具匠心的情节建构是他创作中的关照点。本文以"隐身"叙事为切入点,从隐身与叙事进程、叙事的潜文本和叙事投影三个方面展开深入研究。在隐身与叙事进程方面,着重剖析隐身的深层寓意以及文本驱动力与读者动力的相互作用推进叙事的运动方向;在叙事的潜文本方面,结合历史社会语境深入挖掘文本表层结构下的深层意义;在叙事投影方面,叙述者选择性地聚焦人物的内心世界,不断切换投影方向,读者的视线也随之聚焦到文本凸显的细节。通过详尽阐释"假"存在与"真"隐身之间的悖论关系,勾勒出文本的隐含线索,揭示出麦卡锡对当代社会存在的异化现象和道德困境的深度思考。
Cormac McCarthy's The Road is flooded with violence and death. The natural and succinct language as well as deliberate plot setting is the foci in his writing. This paper takes “invisible” narrative as a point to analyze the text from three aspects: invisibility and narrative progression, the subtext of narrative and narrative projection. In terms of invisibility and narrative process, this paper focuses on the implied meaning of invisibility and the narrative progression under the joint effects of text driving force and reader motivation. In the aspect of narrative subtext, this paper expounds the deep meanings under the surface structure of text, which depends on historical and social context. In terms of narrative projection, the narrator selectively focuses on the inward of characters,therefore;the readers can switch their perspectives in different salient details. The Road elaborates the paradox relation between the “false” existence and “true” invisibility and outlines the hidden clues. What’s more, this paper reflects McCarthy’s deep thinking about the alienation and moral predicament in today’ s modern society.
作者
焦艳格
JIAO Yange(School of Foreign Languages, Zhengzhou University,Zhengzhou, Henan 450001)
出处
《武夷学院学报》
2019年第2期57-60,共4页
Journal of Wuyi University