雍正十二美人图与雍正粉彩瓷仕女图像的比较研究——以雍正外销粉彩瓷仕女婴戏盘为例

A Comparative Study of the Twelve Beauties of Yongzheng and the Ladies' Images of Yongzheng famille-rose porcelain: a case study of Yongzheng's export of the famille-rose porcelain dish with Ladies and Babies

雍正时期外销粉彩瓷中"仕女婴戏"系列瓷盘无论是工艺品质还是彩绘功力都属民窑中上乘佳品,和官窑接近。画面中的仕女形象与康熙年间宫廷画"雍正十二美人图"中的美人形象颇为相似。本文通过对比雍正外销粉彩瓷"仕女婴戏盘"和"雍正十二美人图"的表情神态、造型服饰以及室内布景等细节,同时分析民窑粉彩瓷器的工艺及表现技法,来探寻这种宫廷院画题材在陶瓷媒介上的创作性转化;仕女类题材粉彩瓷在对外贸易和文化传播中起到了重要作用。

During Yongzheng period, the series of porcelain plates “Ladies and Babies”,the export of famille-rose porcelain, which belong to the upper and middle level of folk kilns, no matter in the quality of craft or in the painting skill. They are close to the official kilns. The female figures in the picture are quite similar to those in the “twelve beauties of yongzheng” painted by the court during kangxi Dynasty. In this paper, by comparing the expressions, costumesand interior settings of Yongzheng's export pastel porcelain “Ladies and Babies” and “the Twelve Beauties of Yongzheng” and at the same time, through analyzing the techniques and presentation techniques of the pastel porcelain of the folk kilns, this paper explores the creative transformation of this court painting's theme in the ceramic media. Pastel porcelain on beautiful women plays an important role in foreign trade and cultural communication.