20世纪50年代“江苏画派”对花鸟画发展的坚守

Discussion on Jiangsu Painting School's Adherence to the Development of Flower and Bird Painting in the 1950s

20世纪50年代的文化环境对中国画的影响极其深远,与"江苏画派"中以山水名世的傅抱石、钱松喦、亚明、宋文治、魏紫熙等诸家得时代风气之先不同,陈之佛、罗尗子、陈大羽等花鸟画家则饱受冷落,然而他们却表现出了困境中的坚守。对那个时期的花鸟画先辈们关于花鸟画发展方向的讨论与坚守予以了历史的复现,以期能对相关问题的研究有所裨益。

The cultural environment of the 1950s had a farreaching impact on Chinese painting.Unlike Fu Baoshi,Qian Songxie,Yaming,Song Wenzhi and Wei Zixi,who were famous for their landscapes,flower and bird painters such as Chen Zhifo,Luo Xizi and Chen Dayu were left out,but they showed their perseverance in the predicament.The discussion and perseverance of the ancestors of flower and bird paintings in that period about the development direction of flower and bird paintings are reproduced historically in order to benefit the study of related issues.