缺失的身体与丢失的感受——艺术人类学舞蹈研究之现代主义方法论反思

Losing Body and Missing Feelings: Reflections on Modernism Methodology in Dance Study of Anthropology

艺术人类学作为文化人类学的分支学科,受到实证主义和理性主义的深刻影响,其晚产和依附性的学科境地,使其遗忘身体和感知觉在艺术形式中的特殊意义。尽管反思人类学对于身体和情感有所关注,使艺术研究开始恢复感性之味觉,但舞蹈研究却因边缘的学科处境,一直以来被整体主义所制约,舞蹈艺术的本体感知经常被忽略。为反思根植于艺术人类学中的理性传统与实证惯性,文章以部分田野经历为基础,反思舞蹈研究中现代主义方法论的局限,探讨"体验式"参与观察、"二度创作"及"个体"行动者在舞蹈研究中的意义。

As a branch discipline of cultural anthropology, its late and dependent subject position make the anthropology of art hard to get rid of the restriction of rationalism heritage. This makes easy to forget the significance of body form and its sense in dance anthropology. Despite the reflection of anthropology had took some attentions on affection, perception as well as emotion on dance field , the edge position of dance anthropology in social science, make the aura of dance gradually disappear. The paper aims to rethink the rational tradition rooted in the anthropology of art and dance study, based on the specific ethnography, discussing "experiential" participant observation , and the " second creation" as well as " individual writing", in order to present what is the most important point in dance anthropology.