西方实验性舞蹈影像的艺术行为与审美探究

The Dancing on the Screen : The Artistic Behavior and Aesthetic Exploration of Western Experimental Screendance

文章通过对西方实验性舞蹈影像代表人物艺术行为与作品案例的深入分析,着重梳理出当代西方实验性舞蹈影像"为镜头而舞"、身体影像化后的时空重构、形式主义倾向及选材边缘化等区别于剧场舞蹈的创作行为特质,并依托屏幕表达的媒介形态,从舞蹈影像的混杂、跨学科属性上进一步把握西方实验性舞蹈影像的语言形态与审美取向。西方实验性舞蹈影像在身体与镜头的双重书写中以真实与虚拟交互的媒体符号,物理与心理交叠的镜像隐喻,完成剧场化身体到影像、数字化身体的媒介转换,在创意实验的多样化、个性化审美取向与反常规身体的社会政治诉求中实现对传统舞蹈思维范式、表演形式、身体美学的超越。

Through the in-depth analysis of the artistic behavior and the case of the representative figures of the Western experimental screendance, this paper focuses on the characteristics of the contemporary Western Experimental Screendance "dance for camera", which reconstructed the space - time of mediated body, the formalism , and the marginalized themes . Based on the media form of screen expression, the paper further analyzises the the language form and aesthetic orientation of the Western experimental screendance, discussing from dimensions about hybridity and interdisciplinary of the Screendance. The western experimental screendance completed the media transformation of theatrical body to image and digital body through the media symbol of real and virtual interaction , the mirror metaphor of physical and psychological overlapping. It also realized the transcendence of traditional dance thinking paradigm, performance form and body aesthetics between the diversified , individualized aesthetic orientation , and the antimainstream * s social political demands of body.