舞台意象:舞剧创作的美学本质

Stage Image: the Aesthetic of Dance-drama

以美学视角切入,文章聚焦于对舞剧艺术在舞台呈现过程中艺术审美特征的思考,提出舞台意象创造是舞剧艺术美学的本质。这一观点的提出主要建立在如下两个层面:其一,舞剧艺术的本质特征是借事抒情,这其中最为重要的一点就是主体情感的融入,由此主体情感与客观物象融合,创作主体从客观物象中找到主体情志,并通过舞蹈的形式和语言体现出来。因此,故事成为抒情的理由,抒发情志才成为舞剧的核心,这是舞剧意象成为舞剧美学本质追求的原因之一。其二,舞剧语言的特点决定了舞剧在艺术表达方面不同于文字语言,而是贴近于"诗体",由此,在"意—象—言"的表达过程中,意象就成为主要的表达方式。基于此,笔者认为判断舞剧是否成功的标尺就是从美学的角度来审视其意象的传达。另外,意象说决定着舞剧叙事的方式和手段。

Through the reflection of the artistic aesthetic characteristics of the dance-drama art in the stage presentation process, the paper argues that the stage image creation is the aesthetic essence of the dance drama art. This point of view is mainly based on the following aspects. First, the essential feature of dance drama art is to use lyrics. The most important point is the integration of subjective emotions. Thus, the subjective emotions are combined with objective objects, and the creative subject finds the subjective emotions from the objective objects and dances. Form and language are reflected. Therefore, the story has become the reason for lyricism , and the emotional sentiment has become the core of the dance drama. This is one of the reasons why the imagery of the dance drama has become the essence of the aesthetics of the dance drama. Second, the characteristics of the dance language determine that the dance drama is different from the written language in terms of artistic expression, but is close to the "poetry". Thus, in the expression process of the meaning-image-speech , the image becomes the main expression. Based on this, the paper believes that the criterion for judging whether a dance-drama is successful is actually to examine the conveyance of its image in the perspective of aesthetics. In addition, the imagery is also the way and means to determine the narrative of the dance-drama.