摘要
布莱克的诗画艺术演绎了一种率真质朴的风格,呈现出自然写真的诗意与画境,纯美的想象融合视觉创造因素在其中发挥了独到作用。其画境中的色彩基调是再现诗意的视觉表征,色彩镜像由表及里地映射出诗歌的主题、思想、意境、隐喻及象征内涵。他的诗歌富有伦理教化作用,充满对善与恶的审度,追求心灵升华,表达他对世界大同的愿景。从《天真与经验之歌》到《神曲》,体现出返璞归真、爱憎分明、向往美好的创作主旨并成为布莱克创作思想的一条主线,前者由诗歌艺术趋向绘画艺术,后者由绘画艺术回归诗歌艺术。布莱克的创作之途可谓"诗心入画",将视觉审美意象融会贯通,实现了诗歌艺术与绘画艺术的交融。
The art of William Blake’s poetry and painting expresses one kind of sincere,unadorned and pleasant style.Blake’s process of creation does not add a painting for a poem or fill in a poem for a painting,but produces mutual creation of the symbiosis between poetry and painting.His art of poetry and painting opens up a window to the abyss of his mind to present a natural poetic flavor and picturesque scene.In essence,color elements are not only regarded as the mirror of Blake’s poetry and painting thought,but also one kind of color language to express poetic imagery.His poetic creation thought could be expressed by colors in his picturesque scene.The keynote of colors would originally recover true feelings and poetic visual characteristics in his poems.On the one hand,Blake is expert in applying transparent,pure,bright,gorgeous,delicate and graceful colors to pour out his poetic quality and flavor,which would express his emotion of hymn for kindness,benevolence,and harmony.On the other hand,he also makes his efforts in applying all kinds of strong contrast colors,such as gloomy,garish,muddy,and dark colorful tones,to abstractly present his poetic emotion and indirect meaning.The mirror images of colors shine upon the themes,epics,ideas,prospects,metaphor and symbolism of his poetry from superficies to interior.Blake gives the rein to his imagination with the fusion of recreation elements.His art of poetry and painting presents the visual imagination of compassion and hope.He did not vent his difficult experience,indisposition of body,and disaffection from heart on creation but showed his beautiful and magnificent poems and paintings to people.His poems are highly full of ethical ideals,civilization effects and eternal discussion between good and evil.He wanted to pursue a sublimation of sprit and expresses voice the good cosmopolitan of the world.Blake’s creation motif embodies his idea about what to love and what to hate.His motif becomes a major line of his creation and is well versed in his art of poetry and painting.The former the Songs of Innocence and of Experience has a tendency from the art of poetry to the art of painting,and the later the Drawings of Divine Comedy tends to fly back the art of poetry from the art of painting.His artistic creation achieved mastery through a comprehensive study of visual aesthetic imagery to realize the fusion from the art of poetry to the art of painting.Three innovative aspects stand out:firstly,this article analyzes the intertextuality of Blake’s poetry and painting and exhibits the fusion of visual art.It also reflects his creative motif of truth,morality and beauty to pursue sublimation of sprit.Secondly,it is a comprehensive study of color elements from the art of Blake’s poetry and painting.Color as a mirror reflects Blake’s metaphorical connotations and poetic implications. Thirdly,from the view of aesthetic visualization,this article explores the aesthetic imagination and creative thought of Blake’s poetry and painting.We could gain experiences and enlightenments from Blake’s creative specialty of classical poetry and painting,not only from historical heritages,but also in the contemporary diffusion of arts and literatures.
作者
应宜文
Ying Yiwen(School of International Cultures and Communications,Communication University of Zhejiang,Hangzhou 310018,China)
出处
《浙江大学学报(人文社会科学版)》
CSSCI
北大核心
2019年第2期148-154,共7页
Journal of Zhejiang University:Humanities and Social Sciences
基金
2015年度国家社会科学基金项目(15BWW059)
关键词
威廉·布莱克
《天真与经验之歌》
《神曲》
诗画交融
返璞归真
色彩镜像
纯美想象
William Blake
Songs of Innocence and of Experience
Divine Comedy
harmonization of poetry and painting
return to truth
mirror of color
imagination of pure beauty