末世之音与遗民情结——以崇彝的诗文为例

The Voice of Apocalyptic Age and Former-dynasty Adherent Complex-Take Chong Yi's poetry and essays as an example

末世情绪是晚清文人面对西方入侵,异族文化涌入,传统文化崩塌的集体性情感反应。面对激烈动荡的社会环境、断裂碰撞的文化语境、传统与现代更迭的情形,他们或激愤慷慨,为民族奔走呼号;或意志消沉,失检放纵;抑或不问世事,遗世独立。无论持何种出世态度,他们都承受着山河破落的国殇和前途未卜的私痛,相对于前两者,后者的行为安静,似是消极,但往往无言的伤痛才更加深入骨髓、久远深沉。晚清蒙古族诗人崇彝即属后者。

The apocalyptic-age mood was the collectively emotional response of the literati of the late Qing dynasty facing to the western invasion, the influx of foreign cultures and the collapse of traditional culture. In the face of the fierce and turbulent social environment, the breaking and colliding cultural context, and the alternation of tradition and modernity, they were impassioned and indignant, running for the cause of the nation;or despondent and indulgent;or independent from the world, concerning about nothing. No matter holding any one of those positions, they endured both the country's decay and the uncertain future of their own. Comparing to those with the first two positions, those holding the last one position acted silently and seemed to be negative, while silent pain tends to be more profound. Chong Yi, the Mongolian poet, was one of them.