作为隐喻的风景——陀思妥耶夫斯基的风景书写与现代性

Landscape as Metaphor——Dostoevsky's Landscape Writing and Modernity

陀思妥耶夫斯基作品中的风景书写构成了一种现代性语境下的文本隐喻。这一隐喻根源于由俄罗斯独特的现代性追求而来的自然观乃至空间形态的改变,在此基础上,陀思妥耶夫斯基利用其作品中的恐惧景观和神圣景观完成了对现代性的表征、反讽和反思。

The landscape in Dostoevsky's works constitutes a textual metaphor in the context of modernity. This metaphor is rooted in the transaction of the idea of nature and space form which determined by Russia's unique pursuit of modernity, on this basis, Dostoevsky has finished his representation、irony and re-thinking of modernity by using the "landscape of fear, and “the holy landscape”in his works.