广西壮族自治区博物馆藏传马和之《鄘国四篇图》卷研究

A Study of "YongGuo Sipian Tu" by Ma Hezhi, which Collected in Museum of Guangxi Zhuang Autonomous Region

广西壮族自治区博物馆藏传马和之《鄘国四篇图》卷,共四段图像,依次描绘《毛诗·鄘风》中的四篇《柏舟》《墙有茨》《桑中》《鹑之奔奔》,以及五段题识,录《毛诗》原文,明题跋始末。根据明清著录,此卷应为传马和之《鄘风图》卷的一部分。马和之《鄘风图》卷对《毛诗·鄘风》中的诗篇应均有描述,并有宋高宗题识,惜流传中多散轶,加之时人或后人仿本及托名之作,造成多本风格迥异。此卷很大程度上能够反映南宋初期马和之的创作风貌,可作为与记载中马和之风格相互考察以及同其他传马和之《毛诗图》相互考察的重要依据。其风格融汇了魏晋传统、吴道子传统和刚兴起不久的士人画思潮,用笔飞动,造型简括,既有古朴的意趣,又应和了李唐和赵伯驹的时风。

"YongGuo Sipian Tu" by MA Hezhi, which Collected in Museum of Guangxi Zhuang Autonomous Region, contains four images, describing in turn four pieces of "Baizhou","Qiangyouci","Sangzhong","Chunzhibenben", and five inscriptions, recorded the original text of "Maoshi", and explained the beginning and end of preface and postscript.According to the records of Ming and Qing Dynasties, this Paintings should be part of "Yongfeng Tu" by Ma Hezhi.This Paintings should describe all the poems in “Yongfeng”, and had the theme of Song Gaozong. However, there are many scattered anecdotes in the circulation. In addition, many of them were imitated by others or later generations, which resulted in different styles. To a large extent, this Paintings could reflect the creative style of MA Hezhi in the early Southern Song Dynasty, and could be used as an important basis for mutual investigation with the style of MA Hezhi recorded in the records and with other Ma Hezhi's “Maoshi Tu”.Its style combined the Wei-Jin tradition, Wu Daozi tradition and the new tradition of Shirenhua. It is flying with the brush and concise in shape. It has both the simple interest and the fashion of Li Tang and Zhao Boju.