犍陀罗佛传艺术的多辩之源

The source of the argument of Gandharan Buddha's Buddhist art

犍陀罗佛教艺术中盘根交错的文化现象暗藏了人类文明交融的历史进程,但文献缺失和有限的考古发掘,为学术界对佛教艺术起源和佛教文化传播的研究提出了层层难题。西方学者率先对犍陀罗佛教艺术进行研究,随之佛教造像中的人物特征、构图模式、表现手法和装饰元素,成为研究印度佛教艺术发源的依据,并在很多层面有效的弥补文献缺失的不足,形成一定的逻辑链,此类研究已经形成一定的方法论,向相关领域延展,如对丝绸之路沿线地区佛教艺术源流的考证。因此,在西方学者的视野中,犍陀罗佛教艺术的罗马化备受关注。然而,犍陀罗佛传艺术中的印度因素则是本文论述的重点,望能对前者做一些补充。

The intertwined cultural phenomena in the Buddhist art of Kadhara hide the historical process of the blending of human civilization. However, the lack of literature and limited archaeological excavation have posed many difficult problems for the academic circles to study the origin of Buddhist art and the spread of Buddhist culture. Western scholars took the lead in the study of the Buddhist art of Gandharan. Following that, the characters, composition patterns, expressive techniques and decorative elements in Buddhist statues became the basis for the study of the origin of Indian Buddhist art, and effectively compensated for the lack of literature at many levels, forming a logical chain. Such studies, have been formed Certain methodologies and extend to related fields, such as textual research on the origin of Buddhist art along the Silk Road. Therefore, in the eyes of western scholars, Rome's art of Gandharan 's Buddhism has attracted much attention. However, the Indian factor in the Buddhist biography of the Kadhara is the focus of this paper, hoping to make some supplements to the former.