当代中国书法创作体系中的日本因素

Japanese Factors in the Creation System of Contemporary Chinese Calligraphy

以当代中国书法中的日本因素所经历的两个阶段为主线,第一阶段是自1980年代初起的前十余年对日本当代书法的模仿,这一时期的当代中国书法创作注重具体创作手法仿效带来的视觉形式美感。第二阶段是至此之后还将继续探索下去的创作生态上的超越,这一时期的当代中国书法创作强调多元的书法探索机制。文章从三个方面论述当代中国书法创作体系中所蕴含的日本因素。第一部分探讨当代中国书法创作能够与日本书风在现当代的社会环境中并生互惠的原因,第二部分探讨当代中国书法创作第一阶段时期对于日本书法的借鉴继而表现出的创作特征的变化,第三部分是当下中国书法正经历的第二阶段,即如何融合日本因素进而选择属于当下中国书法发展道路的创作取向。

This essay analyzes Japanese factors in contemporary Chinese calligraphy based on its two stages. The first stage is the first ten years since the early 1980s which witnessed the imitation of contemporary Japanese calligraphy laying emphasis on the aesthetic sense of visual form with concrete creation methods. Then comes the second stage which further deepens the ecological transcendence of the creation by exploring the diversified calligraphy mechanism. The essay discusses Japanese factors contained in the creation system of contemporary Chinese calligraphy from three aspects. Firstly, it discusses why the calligraphy creation styles in contemporary China and Japan can be mutually beneficial. Secondly, it analyzes the creative changes made by contemporary Chinese calligraphy in its first imitative stage of Japanese calligraphy. Thirdly, it explores how Chinese calligraphy should integrate Japanese factors into its creation and choose the creative orientation for the current Chinese calligraphy in the second stage.