摘要
本文对河北霸州王圈音乐会八世乐师拜师仪式进行实录描述,并试图透过仪式来窥探音乐会的生存和传承状况。与前代相比,王圈音乐会第八代乐师的拜师仪式有较大变化,从历史的维度看,变迁背后的深层动力,源自于寻求古乐生存和传承的出路,为古乐的传承带来了后继力量。而从拜师仪式本身来看,这种"过渡仪式",不仅续写着古乐的传承谱系,也是对新乐师"传承者"身份及其即将做出的传承实践的"合法性"和正当性的确认,同时也是对其传承、保护古乐的义务和责任的确认。
This essay literally depicts the Eighth-generation apprentice rite of Wang-quan Musical Group in Bazhou area of Hebei province to explore its subsistence and inheritance. Compared with the former generations, there have been great changes in the rite and behind the changes lie the motivation to find a way out for the survival and inheritance of these ancient music. Viewed from the rite itself, this “rite of passage” not only keeps the inheritance of the ancient music, but also an identification of the new musicians as “inheritors” and the “validity” and legitimacy of their inheritance which is the confirmation of their obligation in inheriting and protecting the ancient music.
出处
《贵州大学学报（艺术版）》
2019年第2期100-105,108,共7页
Journal of Guizhou University Art Edition
