摘要
壮族诗人韦丰华的诗论不仅存在于其《今是山房吟余琐记》中,更存在于他创作的诗歌中。他的诗论虽受到性灵等诸家诗论的影响,对诗艺的探究也没有很大的突破,但其论诗并未独标一宗,有自己的倾向。观其论诗之言,大致涉及诗歌本体论、创作论、传播论、主体天赋论等各个方面,在晚清粤西诗坛是最有系统性的,具有较高的地位和学术价值。
The poetry thought of Wei Fenghua not only exists in “Jinshishanfangsyuoji”,but also in his poems. Although his poetic theory is influenced by the poetic theories such as the spirit and the poetry, there is no great breakthrough in the exploration of poetry. However,poetry does not have a single standard and has its own tendency. Viewing the poetry of the poems,it generally involves poetry ontology,creation theory,communication theory,subjective talent theory and other aspects. In the late Qing Dynasty,the poetry of western Guangdong is the most systematic,with high status and academic value.
作者
张炜
ZHANG Wei(School of Literature and Media,Baise University,Baise,Guangxi Zhuang Autonomous Region 533000)
出处
《楚雄师范学院学报》
2019年第2期73-78,共6页
Journal of Chuxiong Normal University
基金
2017年广西哲学社会科学规划研究课题"清代壮族诗人群体研究"(项目编号17FZW004)