清代江西文庙祀孔乐制的恢复与重建

The Qing Dynasty Music System' Reconstruction of the Worship of Confucius in Jiangxi Confucius Temple

文庙祀孔典礼是国家对地方实施教化的重要手段,在国家礼制与地方行政中占重要地位。清前期,随着顺、康、雍、乾四朝对祀孔用乐典制不断创制与更定,中央对于地方文庙祀典执行新制的要求也逐渐频繁,此阶段江西文庙祀孔用乐制度的建设与沿革,以遵守国家制度的正式安排为重点;乾隆以降,清廷统治者在承袭旧制的同时,对地方文庙释奠乐制重建的督促与监管力度逐渐减弱,地方官绅治理地方社会的自觉行为逐渐成为推动江西祀孔乐制的重建工作的主要动力。

The ceremonies for Confucius were the important means to civilize local society, which occupied an important position of the national ceremony and the local administration. As the court' constant creation and renewal of the worship of Confucius' music system in early period of Qing Dynasty, the court requirement of executing the new system in local societies become frequent, the music system reconstruction of the Worship of Confucius in Jiangxi Confucius Temple were obeying orders of the court. After the Qianlong Dynasty, while inheriting the old system, the dominator's supervision on local social music system reconstruction has been gradually weakening, the officials and gentry conscious behavior of local governance has gradually become the main driving force to promote the reconstruction of the music system of sacrificing Confucius in Jiangxi Province.