关于竹枝词比较文学形象学研究的思考

Thoughts on the study of the image of Zhu Zhi Ci Comparative Literature

近30年来,对竹枝词的研究开始成为热点,但总体来说,研究视域仍局限于对竹枝词的民俗学、城市文化价值、民族史志材料的分析为主,对竹枝词文学审美性的深层次挖掘和探究并未得到拓展。从比较文学形象学研究视角来看,竹枝词中涵盖了从唐到民国时期的异国异族形象,包括少数民族形象、都市文化形象、西方形象、近世女性形象、异域形象、学生形象等。文章在梳理这些形象在中国风土诗歌中形象演变的基础上,厘清竹枝词中各类形象生成的根源,分析其跨文化交流的心理诉求及底层书写,探究出一条与竹枝词相对应的审美话语体系,从而建构起中国文学地方书写中他者视域下的审美认同。这在研究视域上深入拓展了比较文学层面上的竹枝词研究,动态地呈现了竹枝词的审美意识体系。

In the past 30 years, the study of Zhu Zhi Ci has become a hot spot, but the research field is still limited to the folklore of Zhu Zhi Ci , urban cultural value, ethnic history material analysis, and the deep-seated excavation and exploration of the aesthetics of Zhu Zhi Ci literature has not been expanded. From the perspective of comparative literature iconography, Zhu Zhi Ci covers the images of foreign nationalities from the Tang Dynasty to the Republic of China, including images of ethnic minorities, urban culture, Western wisdom and knowledge, modern women, foreign images and so on. On the basis of combing the image evolution of these images in Chinese local poetry, this paper clarifies the origin of the various images in Zhu Zhi Ci, analyzes the psychological appeal and the underlying writing of their cross-cultural communication, and explores an aesthetic discourse system with Zhu Zhi Ci, so as to construct aesthetic recognition from the perspective of the other in the development of Chinese modern literature. It extends the study of Zhu Zhi Ci in comparative literature and presents the aesthetic consciousness system of Zhu Zhi Ci dynamically.