摘要
欧阳修词对于唐诗的化用主要表现在:对于白居易诗歌的大量化用,以及涵盖全唐、偏爱晚唐的特点,而非前人所提出的"偏爱韩偓诗"。而其通过以"乐"贯穿、情理交融、博采众长等方式,结合词体本身的创作特点,最终形成了鲜明的个人风格,同时也消解了欧阳修在诗词文创作理念中的矛盾,通过"唐诗化用"这一方式,折射出欧阳修文学创作观念的思想内涵。
The use of Ouyang Xiu’s "Ci" in Tang poetry is mainly reflected in its application to Tang poetry:on the ex.tensive use of Bai Juyi’s poetry and covering the whole Tang dynasty and favoring the characteristics of the late Tang dy.nasty rather than the “preference for Han’s poems" put forward by predecessors.Ouyang Xiu wrote his poems by the way of using “music" running through,blending of sense and reason and taking advantage of others to have formed his own distinct personal style and dispelled his contradiction in the idea of poetry and writing at the same time.Through the way of “Tang poetic use",Ouyang Xiu reflected the ideological connotation of his literary creation concept.
作者
莫亚容
MO Ya-rong(Department of Chinese Language and Literature,Changji University,Changji,830001 China)
出处
《乌鲁木齐职业大学学报》
2018年第4期36-39,共4页
Journal of Urumqi Vocational University
关键词
诗
化用
欧阳修
创作观
Tang poetry
flexible use
Ouyang Xiu
creation concept