新晃侗族傩戏“咚咚推”中的伦理意蕴

Ethical Implication in Nuo Opera of Xinhuang Dong Nationality

新晃侗族傩戏"咚咚推"脱胎于侗族原始宗教祭祀仪式,是一种集祭祀性与艺术性于一体的少数民族民间戏剧艺术。"咚咚推"作为民间戏剧有其深厚的伦理意蕴:从人与自然的关系层面讲,其蕴涵着万物和谐、"傍生"的生态伦理观念;从人与人的关系层面讲,其蕴涵着自由、互助、和睦的社会道德认同。同时,"咚咚推"的宗教性与包容性使其展现出以神伦道德展现人伦道德、以善恶对立凸显良善判断、以全民参与映射平等原则的伦理特征。

Nuo opera of Xinhuang Dong nationality is a kind of folk drama art of minority nationality,which is conceived from the ceremony of offering sacrifices to the original religion of Dong nationality. It is a kind of folk drama art of minority nationality which integrates sacrificial and artistic nature.In that course of development, it combine with the culture of Confucianism and Buddhism to show its inclusiveness, so that it has the characteristics of the Dong nationality and the Han nationality. As a folk drama,the "to push and push" has its profound ethical implications:From the angle of the relationship between man and nature,it contains the ecological ethics concept of harmony of all things and"living side by side".From the point of view of the relationship between people,it implies the social moral identity of freedom,mutual aid and harmony.At the same time,the religious nature and inclusiveness of"thumping and pushing"make it show the ethical characteristics of showing the ethics of human relations with the morality of God,highlighting the good judgment with the opposition of good and evil,and mapping the principle of equality with the participation of the whole people.This paper analyzes the ethical implication and characteristics of" thumping and pushing" and draws from it the moral principles and moral norms beneficial to nature and society.