摘要
本文以大量的艺术实践案例及材料作为研究基础,从系统论的角度论述了高(元钧)派山东快书自发性建构的视听结合的艺术审美体系,从“发音与吐字”“声音与形态”“声音与情态”“声音与韵律”等四大关系入手,全面而深入地探讨高派山东快书的发声吐字美、可视形态美、情态圆融美和韵律美,并开拓性地总结了“五力图”“情颤点”等一系列符合汉语言特点的曲艺艺术的特殊规律,通过对高派山东快书的艺术审美系统的阐述和分析,有助于我们挖掘整理传统文化遗产,深入研究中华曲艺美学并逐渐建立科学的体系。
On the basis of a large number of artistic practice cases and materials as the research foundation,and from the perspective of the system theory,this paper discusses the art aesthetic system of the audio-visual combination constructed spontaneously by Gao(Yuanjun)school of Shandong story-telling opera.Starting from the four major relations of“pronunciation and articulation”,“voice and form”,“voice and modality”,and“sound and rhythm”,the paper also conducts a comprehensive and deep discussion on the articulate beauty,visual form beauty,mellow beauty and rhythmic beauty of Gao school of Shandong story-telling opera.At the same time,a series of special laws of Chinese Quyi art such as“five force diagram”and“emotion trembling point”is summarized in a pioneering way in the paper.Therefore,the elaboration and analysis of the art aesthetic system of Gao school of Shandong story-telling opera will enable us to dig up and sort out the traditional cultural heritage,deeply study the aesthetics of Chinese Quyi and gradually establish a scientific system.
作者
王连成
WANG Liancheng(Chinese Quyi Artists Association,China Federation of Literary and Art Circles,Beijing 100083,China)
出处
《常熟理工学院学报》
2019年第3期7-16,共10页
Journal of Changshu Institute of Technology
关键词
高派山东快书
系统
三合一
五力说
Gao school of Shandong story-telling opera
system
three in one
five force theory
