论戴维·洛奇传记小说的自反性

On the Self-Reflexivity of David Lodge's Biographical Novels

传记小说是英美小说创作的新潮流,标志着戴维·洛奇小说创作类型的重大转向。自反性是洛奇传记小说的固有属性,是研读洛奇传记小说的重要视角。在文本叙事层面,自反性主要体现为打破写实框架、作者"闯入",斜体文本的入侵等;在历史素材的选用层面,自反性主要体现为传记素的运用,传记素沟通了传记小说中现实主义与后结构主义两种对立的意识形态,在二者之间形成叙事张力。

Biographical novels are a new trend in English and American fiction creation and mark a major shift in the type of novels written by David Lodge. Self-reflexivity is an intrinsic property of Lodge’s biographical novels and an important perspective for studying them. In textual narrative, self-reflexivity is mainly reflected in breaking the realistic framework, the authorial“intrusion”, the invasion of italic text, etc.;in the selection of historical materials, self-reflexivity is mainly reflected in the use of biographèmes, which bridge the two opposing ideologies of realism and post-structuralism in his novels and form a narrative tension.