摘要
旅英女作家虹影最初携诗歌闯入文坛,后因小说创作于海内外声名大噪。在她不间断的诗歌创作中,注重有意识地将色调纷繁的意象进行精心的调配和组合,营构形象复杂交缠、情绪沉郁回荡的诗歌王国。将虹影诗歌的主要意象分为身体、动植物、器物、颜色四大类型进行论述,能够窥见意象神秘面纱背后的含蓄之意,探究其中深蕴的表意之美,品味虹影小众化的诗歌创作中意象的审美意蕴,推进对虹影诗歌的纵深向研究,增进读者对其诗歌的进一步理解。
Before she is now widely recognized home and abroad as a novelist, the Britain-based Chinese woman writer Hong Ying used to be a poet. Complicate images are interwoven into her poetry to convey her innermost feelings. The present study categorizes such images into four groups, that is, bodies, animals and plants, utensils, and colors, and endeavors to unveil their aesthetic connotations. Image analysis helps both researchers and readers better understand Hong Ying’s poetry.
作者
张雨彤
ZHANG Yu-tong(School of Arts, Liaoning University, Liaoning Shenyang 110136, China)
出处
《广州广播电视大学学报》
2019年第2期89-93,111,共6页
Journal of Guangzhou Open University
关键词
虹影
意象
女性诗歌
Hong Ying
images
feminist poetry