摘要
作为抗战中后期大后方最有影响的刊物之一,《文学创作》以其开放的姿态和对文学共生理想的执着追求,为抗战文学建构起了一个多元共生的文学生态空间。这一多元共生文学空间的建构,不仅为来自全国各地的作家提供了自由而开放的文学园地,在一定程度上挽救了因政治因素所导致的文艺运动低潮的颓势,把大后方尤其是桂林的抗战文艺运动推向了又一次高潮,而且以其对文学的现实性和艺术性的追求,提升了抗战文艺的质量,推动了抗战文艺的多元化发展。
As one of the most influential publications in the middle and late period of the Anti-Japanese War, Literary Creation constructed a multi-symbiotic literary biological space for the Anti-Japanese War literature with its open attitude and persistent pursuit of literary ideals. The construction of this multi-symbiotic literary space not only provided free and open literary gardens for writers from all over the country, but also saved to a certain extent the downturn of the literary and art movement caused by political factors and pushed the Anti-Japanese War literary movement in the rear, especially Guilin, to another climax. Besides, with its quest for the reality and artistry of literature, it improved the quality of the Anti-Japanese War literature and art and promoted the diversified development of the Anti-Japanese War literature and art.
作者
佘爱春
She Aichun(School of Literature,Nanjing University,Nanjing Jiangsu ,210023)
出处
《山东师范大学学报(人文社会科学版)》
CSSCI
北大核心
2019年第2期46-52,共7页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
国家社会科学基金项目"现代传媒视野下桂林抗战文化城文学研究"(17FZW048)的阶段性成果
关键词
《文学创作》
抗战文学
熊佛西
Literary Creation
the Anti-Japanese War literature
Xiong Foxi