摘要
20世纪末以来,随着中国现代化历史进程的推进和政治经济文化的快速发展,一个和平崛起之中国的未来蓝图越来越清晰。渴望民族复兴、家国强盛成为当下国人的民族文化心理,也是对新世纪中国的泛民族国家想象。而20世纪90年代以来轰轰烈烈上演的帝王将相系列历史剧所进行的"盛世叙事"和对帝王将相的"理想化"塑造,就是作为一种替代性满足,为现实受众渴望明君圣主、民族复兴、强国富民的泛民族国家想象提供了一个合法有效的想象通道。
With the advancement of China s modernization and the rapid development of political economy and culture at the end of the 20th century, a blueprint for the peaceful rise of China has become prominent. The desire for national rejuvenation and the prosperity of the country have become the national cultural psychology, and also the imagination of the pan-national state of China in the new century. The“ Prosperous Narrative” carried out by the series of historical dramas since the 1990s and the“ idealization” of the emperors’ image can be regarded as an alternative satisfaction, which offers a legal and effective imagination for the audience who long for a wise ruler, the national rejuvenation, and a pan-national state.
作者
褚春元
张婧楠
Chu Chunyuan;Zhang Jingnan
出处
《河南社会科学》
CSSCI
北大核心
2019年第4期98-101,共4页
Henan Social Sciences
基金
巢湖学院校内科研启动基金项目
关键词
帝王将相
历史影视剧
中国
泛民族国家想象
Emperors’ Image
Historical Film and Television Drama
China
Pan-national State