欧阳山早期作品与广东文学

Ouyang Shan's Early Works and Guangdong Literature

近年来广东关于"粤派批评"与"珠江文派"的讨论颇为热闹,对地域文学群体进行命名与界限划分,折射出当地学界的文化焦虑心态。实际上,不管有无"群""派"的事实存在,地域文化都会对作家的创作理念、题材选择、写作风格产生影响,而写作主体本身的价值认同则与之呼应,并影响到代际传承。欧阳山早期写作体现出他对地域文学的理解,包括对黑夜意象的描写、地域色彩的表达、使用粤方言创作等特征。地域文学的核心价值,正在于作家群体在长期创作实践中拥有的共同文化追求。

In recent years, there have been lively discussions on "Guangdong-style criticism" and "Pearl River School of Literature" in Guangdong;while the naming and demarcation of regional literary groups reflect the cultural anxiety mentality of local academic circles. In fact, regardless of the existence of "groups" or "schools", regional culture is sure to have an impact on a writer’s creative idea, subject selection and writing style, while the value identification of the writer him/herself would echo with it and thus affect his/her intergenerational inheritance. Ouyang Shan’s early works reflect his understanding of regional literature, including such features as his description of the night image, his expression of regional colors, and his use of Cantonese dialect in his creation, etc. The core value of regional literature lies in the common cultural pursuit of writers in their long-term creative practice.