论路翎1940年代的创作与左翼文学新发展

On Lu Ling's Creative Works in 1940s and the New Development of Left-wing Literature

在路翎1940年代创作的小说中,除了《财主的儿女们》与《饥饿的郭素娥》这两篇名作,其他作品较少得到学界的关注。分析这些作品发现,它们大致包括了三种类型和主题,从中可以看到路翎这一时期的文学创作体现了1940年代左翼文学的新变化:暴露了精英知识分子的脆弱与自欺欺人的幻想;在"主观战斗精神"的发扬中,他们所倡导的"个性解放"的难产;最终借助无能的知识分子和被压迫的社会贱民这两个主题的糅合与连接,市民阶级知识分子无力改造社会的现实通过一种投射的方式被表现出来。它们对早期的左翼文学作品的偏离还体现在集体性抗争的涌现上。但是,在此之中也显现了市民阶级知识分子阶级分析视角的缺乏与抗争的不彻底性,由此体现了由批判现实主义向革命现实主义过渡时期的作品特征。

In Lu Ling's novels in 1940s, apart from the two masterpieces, The Sons and Daughters of the Moneybags and The Hungry Guo Su'e , other works have received little attention from the academic circles.Analyzing these works, we find that they roughly include three types and themes, from which we can see that Lu Ling's literary creation during this period reflects the new changes of literature created by the left-wing intellectuals in 1940s, exposing the fragility of the elite intellectuals and the illusion of self-deception;what they advocated as the stillborn "liberation of personality" in the development of the "subjective fighting spirit".With the integration and connection of the two themes of the incompetent intellectuals and the oppressed social pariahs, the reality of the citizen class intellectuals' inability to transform society is shown through a projective way.Their deviation from the early left-wing literary works is also reflected in the emergence of collective struggle.However, it also shows the lack of class analysis perspective and the incompleteness of the struggle of the intellectuals of the citizen class, which reflects the characteristics of the works in the transitional period from critical realism to revolutionary realism.