凯帕斯汀音乐会练习曲Op40.No2演奏分析

Kapustin Concert Etudes Op40.No2 Performance Analysis

乌克兰作曲家尼古拉·凯帕斯汀是20世纪新生代作曲家的代表,他的作品将古典与现代相融合,具有很高的研究价值。《八首音乐会练习曲》创作于1984年,是他风格成熟时期的重要代表,也是在当今各大钢琴比赛中经常被选用的作品。本文以"凯帕斯汀音乐会练习曲Op40.No2演奏分析"为主题进行研究,试图分析该作品的艺术风格和演奏特征。全文共分为三个部分:第一部分阐述凯帕斯汀的音乐风格及八首练习曲的相关内容;第二部分结合谱例从曲式、和声、节奏三方面对该曲进行具体剖析;第三部分笔者根据个人演奏经验总结了该作品的技术难点和练习方法,深入探究作品的音乐内涵。

The Ukrainian composer Nikola Kempastin is a representative of the new generation of composers of the 20 th century.His works combine classical and modern,and have high research value.The "Eight Concert Etudes" was created in 1984.It is an important representative of his mature style and is often used in today’s major piano competitions.This thesis is based on the theme of "Kappastin Concert Etude Op40.No2 Performance Analysis",trying to analyze the artistic style and performance characteristics of the work.The full text is divided into three parts:the first part describes the music style of Kaipastin and the related content of eight Etudes;the second part combines the spectrum to analyze the song from three aspects:music,harmony and rhythm;In the third part,the author summarizes the technical difficulties and practice methods of the work according to the personal performance experience,and probes into the connotation of music.