论贞元诗坛的创作轨迹

On the Creation Track of Zhenyuan’s Poetic Circles

纵观贞元诗坛三大创作群体的诗歌创作,就会发现其中确实存在着一些变化轨迹,具体而言包括:在诗歌题材上,对现实的关注更加深入、普遍;在诗体形式上,古体诗的比重逐渐加大;在诗歌风格上,日益呈现出多样化的趋势,展现出渐变的态势。贞元诗坛的上述变化在元和时期得到了进一步发展和壮大,并最终成就了元和诗坛作为唐诗第二高峰的历史地位。这也就进一步证明了贞元诗坛作为元和诗坛发展的基础以及作为开元、天宝和元和两大诗歌高峰过渡的历史价值和地位。

After surveying the poetic creation of the three major creative groups in Zhenyuan's poetry circle, we can find that there are some changes in the track. Specifically speaking, in the subject matter of poetry, the in-depth and universal is more attention to reality;in the form of poetry, the proportion of ancient poetry is gradually increasing;in the style of poetry, the diversification appears more obviously. These changes in Zhenyuan's poetry circle were further developed and strengthened in the Yuan Dynasty, and ultimately achieved the historical status of Yuan He's poetry circle as the second peak of Tang poetry. This further proves the historical value and status of Zhenyuan's poetry circle being the foundation of the development of Yuan He's poetry circle and functioning as the transition between the two peaks, Kaiyuan period, Tianbao-and-Yuanhe periods.