民国中后期富连成社名角南下上海的演剧活动

Performances of Fuliancheng Troupe in Shanghai in the First Half of the 20^(th) Century

民国中后期,富连成社名角受上海戏院的邀请,纷纷选择南下演剧,不仅体现了戏院投资商与名角之间某种互惠共赢的利益关系,而且体现出上海观众对京剧消费的需求,这是上海京剧商品化发展的必然结果。上海观众,即媒体报道者、普通批评者和专业批评者,对富连成社名角南下上海的演剧接受是以报刊媒介为载体进行的广泛评说与热烈追捧,既传播了京剧表演艺术,又推动上海京剧的消费。富连成社名角南下上海演剧,不仅为上海培养了一批优秀的京剧演员,而且促进了京剧表演艺术的广泛交流,甚至推动了京派京剧自身的革新。对富连成社名角南下上海演剧活动予以探究,阐述其发生原因、接受状况及其影响效果,对认识与理解戏曲表演活动与社会市场之间的关系,具有一定的学术价值与意义。

In the middle and late period of the Republic of China,Fuliancheng Troupe was invited to Shanghai for performance.This was a result of the mutual interests shared by investors and Peking Opera singers and also of the commercialization of Peking Opera in Shanghai.The warm welcome from the audience,including the local media and critics,increased the spread of Peking Opera in Shanghai,which in turn brought about reform in Peking Opera in Beijing.A study of Fuliancheng’s performances in Shanghai can shed light on the relations between opera performance and market.